Every year design reinvents itself, sometimes with a bang, sometimes with a quiet shift in colour palettes or typefaces. In 2026 the brands that cut through the noise will be the ones brave enough to embrace creativity that feels both fresh and strategic.
In the age of digital media, the landscape of journalism and news reporting has undergone a profound transformation.
In today’s fast-paced and interconnected world, a company’s reputation is one of its most valuable assets.
In the dynamic world of marketing and communication, creative strategy is the cornerstone of effective messaging.
In the world of graphic design, geography plays a significant role in shaping creative expression. Sydney and Europe, separated by vast oceans, offer distinct approaches to design, each rooted in their unique cultures and histories. Yet, it’s the blend of these perspectives that truly drives innovation.
In July, I had the pleasure of visiting Milan for a partly business trip and partly family holiday. This trip coincided with the remarkable Fairey Sheppard exhibition at Vapore.
In my twenties after finishing my design degree, I packed up my trusty backpack and headed out on a 3 year adventure around the globe.
Embracing diverse creative disciplines – from photography and illustration to web design and even pottery – offers profound benefits that transcend professional growth to enrich one’s personal and artistic journey.
In my last blog I made a strong case for print design and its relevance in the the realm of graphic design, however it wouldn’t be a fair conversation without discussing the benefits of the other side of the coin – digital design.
In an era dominated by screens and pixels, one might be quick to assume that print design has lost its relevance. After all, digital design offers immediacy, interactivity, and seemingly infinite possibilities. Yet, print design continues to thrive, proving time and again that it is far from obsolete.